jueves, 31 de enero de 2013

ARTE Y ESTÉTICA EN LA ENCRUCIJADA DESCOLONIAL

‎"...Las "escuelas" -en sus dos dimensiones occidentales: como centros de adquisición de conocimientos y como corrientes estéticas- se instalan y generan los criterios de validación que habrán de regir durante más de cinco siglos. Descartadas las producciones de las culturas preexistentes y consideradas sólo por su autoctonismo -rasgo de disvalor frente a "universalidad" de las obras que se canonizan- las que se originan en este cono del mundo no sólo deben adecuarse a los "modelos" exteriores, sino que siempre se verán como "asincrónicas" por relación a éstos ya que los rasgos de innovación llegan tarde y, por lo general, sin su "pureza" y "autenticidad". Es esta concepción de superioridad la que llevó siempre a nuestros artistas a atravesar los mares y cruzar el continente para acercarse a las fuentes directas del "saber hacer" como los "otros". Acá radica la colonialidad: en el estar convencidos de que "el bien, la verdad y la belleza" están en otro lugar y no en el propio..." Zulma Palermo - Arte y estética en la encrucijada descolonial
Foto sacada por Fabian Cardozo, en el taller de fotografia estenopeica de Cine en Movimiento en La Casona de Florencio Varela.

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